“Euthanasia Coaster” is a hypothetical euthanasia machine in the form of a roller coaster engineered to humanely – with elegance and euphoria – take the life of a human being. Riding the coaster’s track, the rider is subjected to a series of intensive motion elements that induce various unique experiences: from euphoria to thrill, and from tunnel vision to loss of consciousness, and, eventually, death. Thanks to the marriage of the advanced cross-disciplinary research in aeronautics/space medicine, mechanical engineering, material technologies and, of course, gravity, the fatal journey is made pleasing, elegant and meaningful. Celebrating the limits of the human body, this ‘kinetic sculpture’ is in fact the ultimate roller coaster: John Allen,former president of the famed Philadelphia Toboggan Company, once said that “the ultimate roller coaster is built when you send out twenty-four people and they all come back dead. This could be done, you know.”
Death (Tod) - Käthe Kollwitz, c. 1934-37
From the German Expressionist Digital Archive Project by Heather Hess:
Death was one of the most persistent themes in Käthe Kollwitz’s work. It continued to exert an inexorable pull on the artist near the end of her life and served as the subject of this, her final print cycle. Ten years before completing the portfolio, Kollwitz had noted in her diary, “I must do the prints on Death. Must, must, must!” She chose lithography, her preferred technique for creating emotionally powerful images with universal resonance, as the medium, but struggled to shape her ideas, only executing the first five prints in 1934. She added three more lithographs to the series in 1937.
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